Sarah Pedinotti update, band name change

The soon-to-be-formerly-known-as Sarah Pedinotti Band (once briefly known as The Raptors) have been holed up in the Catskills working on the record that will welcome them into the world under their new moniker: Railbird. CD release parties are slated for September in NYC and upstate NY, but you don't have to wait until then to hear some new tracks. Oh no no no. You can hear four new rough mixes right f-ing now at myspace.com/sarahpedinotti. So, do that.

The Lighthouse Song

Speaking of new things worth checking out on MySpace (and really, when are we not), Josh Pyke has posted the first new song from his forthcoming Chimney's Afire record: "The Lighthouse Song." The list of artists whose work I'll grant a preemptive endorsement is dwindling to say the least, but Mr. Pyke remains firmly entrenched there. Buy this record when it comes out. It will be good.

In the interest of not just posting a link to MySpace and calling it a day (not that there's anything wrong with that), here's a mostly forgotten interview I did with Josh Pyke back in 2005 on the now-defunct PulverRadio.com. The interview includes four fantastic live performances interspersed in between poorly worded, mundane questions and patiently delivered answers. I cringe to listen to the interview these days, but the songs are really marvelous.

Fun.

In a move surely designed to make me say "damn" and drink a beer, The Format announced months ago via MySpace that they will not be making any more records. I didn't write about it at the time because if you look back at February, I wasn't writing about much of anything. But it seriously sucked, sucks, and will suck.

That said, an announcement went up today about Nate's new band, fun. Stupid name perhaps, but it's exactly the word I'd use to describe the demo (download available with login) of "Benson Hedges," currently the only song available on the site. Which is a neat concept, really. Imagine if other bands followed suit. What a great day it would be when Animal Collective changed their name to WTF.

If you've got some time to kill and are interested, Nate also posted a long letter to his fans about what he's been up to so far in 2008 here. Make sure you go to the bathroom before you click if you want to get through it uninterrupted.

The National - Central Park SummerStage, 8/4/08

One of the people on the Internet writing about music that I enjoy reading the most is Yancey Strickler over at eMusic's 17dots.com. It's a funny thing because I rarely like what he writes about nearly as much as I like what he writes. His is a way with words worth knowing. So, when he writes nice things about a band that I like, I feel this strange one-sided camaraderie. It's similar in a way to the secret smile you afford yourself when you catch an otherwise typically stoic New-Yorker-in-subway-mode smiling about something some other passenger just did that you also were tempted to smile about. See what I'm getting at here? Me neither. Basically, I just wanted to quote the guy about The National, and here I've gone and written a whole paragraph of anti-content. One time Yancey said this:

The Boxer is just so subtle. I’ve talked about the record with both Joe and Todd in the past couple of days, and that’s the word we all keep returning to: subtle. This is a freshwater album, the slight tugs to Matt Berninger’s voice more in line with the slow currents of a mountain-top lake or a dragonfly-patrolled stream than any ocean that I know. It’s also a very American album, a fact that I am certain of, but have had trouble pinpointing exactly why that’s true.

Being able to watch a band like The National, a band with such rich sounds, helps you to hear parts of songs that you otherwise might not have noticed. Know what I mean? Well, I know exactly what I mean, and I'm not going to say anything further on the matter except that being close enough to the band to see what was going on, I came away from the show with that line about subtlety running through my head. The line about the record being distinctly American, too, but that I think had more to do with drinking a beer and being outside. You shoulda been there.